Slowdown and Meditate
ChL
•14 April 2020•4 MinutesYou can share the article as long as you keep it in its entirety, identify the source (Cristal Vibrasons) and the author (visible under the title). Thank you.
Meditate: decelerate!
The awakening of the human being is the awakening to his true nature, to his essential being. The paradox is as follows: meditation is a teaching… which teaches nothing! And in our current world of hyper-everything and hyper-fast, “nothing” is not welcome. However, meditation does not transmit “nothing theoretical, nothing abstract, nothing speculative, nothing hypothetical” … It does not use discursive thinking. It presents itself as a path of experience and exercise.
The mind will not appreciate!
In meditation, there is no teaching from outside. No goal. The mind is sealed … not liking to be contained, it will struggle with ardor! And that is the bane of meditators who would like to “succeed” in sitting quietly. But the more you fight or focus on the goal of not thinking, the less it will work! What if you let it happen? Because, beyond the incessant din of our mental chatter, points a precious benefit in our fiery civilizations: slow down!
Decelerate to act better!
Decelerate … not make the effort to step on the brake pedal, but just lift your foot. Do you see the difference? Let the vehicle lose speed until it returns to its natural rhythm. The rhythm of the body is much slower than that of thoughts. And recovering this rhythm is a beneficial act for oneself. Sometimes a healer.
Slow down to enjoy yourself Slowdown and Meditate
Have time for yourself and discover the virtues of slowness: decelerate! Give importance to feeling: decelerate! Follow the thread of time through the breath cycle. Put his sincere attention on each of his senses. Live all the flavors that present themselves in the present moment…
Warning ! it might work!
Everything is accelerating today. Besides, it is mistakenly believed that we must achieve a result “immediately”. However, the body generates intuitive knowledge and it cannot be compared to the limits of our ordinary thought. The body becomes, thanks to the practice of meditation, another form of thought, a thought of the living body where meaning and understanding are merged. Thanks to the mediator that is the crystal singing bowl, meditation finds its way naturally. The mind calms down by itself. The body releases its tensions with disconcerting ease. The inner rhythm takes over!
Return to the vibrant body of life!
In our daily life, we quickly lose touch with our living and conscious body. We often make it an instrument of our actions. Probably because we are living at 100 an hour and we have a thousand and one tasks to accomplish. And the Sounds of crystal bowls are wonderful mediators to help us slow down!
But what do we do with being? Who am I when I submit to the constraints of my own life? Do I really have no choice or more? Ask yourself this question with sincerity. Sort. Prioritize!
So the body is not a machine. On the other hand, it is a living element of the whole which is one of the wonders of creation. The Presence is well embodied. The experience of simplicity highlights the path that takes root in the body!
Would you like to learn how to get back on the road?
Internships exist to accompany you to regain a foolproof autonomy in your spiritual practice. So, do not hesitate to consult the activities of Cristal Vibrasons.
NAMASTE the Crystallins – Slowdown and Meditate
The pleasure of playing a crystal bowl
ChL
•14 April 2020•3 MinutesYou can share the article as long as you keep it in its entirety, identify the source (Cristal Vibrasons) and the author (visible under the title). Thank you.
Playing with a crystal bowl: guaranteed jubilation! This is the way of a subtle and delicate pleasure, almost sensual, no offense to some! To play it, you don’t have to know music and be a musician.
In reality, it suffices to develop its presence and the quality of its listening. The required gestures require a little knack, subtlety and you will have to place yourself in a careful listening to the quartz vessel! When you want to go further, it makes more sense to train yourself in the sounds of these sacred instruments.
Astonishment comes immediately!
From the first sound spirals, the only argument that manages to formulate clearly is “Wow“… Of course, the surprise effect of these unusual sounds is immediately there, but there is a delight to be bathed in the purity and power of crystal bowls. It is new and of great beauty!
Sails are rising
The thought becomes clear and the emotions that win us overwhelm us. These sounds have an almost magnetic appeal, as if “nothing else” exists around us. They surround us, envelop us, dress us from head to toe. We can only dive into the consciousness that manifests in the moment. Veils are lifted and we lose control of the “appear” to enter the heart of ourselves! Instantly. In just a few minutes, the impression of traveling takes hold and inspires us.
Awaken the child in us!
It is so easy, with a crystal bowl, to become a child again in a few “mallet turns”!
The simple pleasure of being there.
The joy of discovering new sensations.
Bliss over the presence of the “wonderful”
The euphoria impatient to feel her body vibrate again!
Do yourself good!
With a crystal bowl, “doing good” seems to be an utterance. The happiness of being a “living person” immediately signals us. It’s still incredible to have an instrument that facilitates passages of consciousness as much while making us navigate states of being as eclectic as bewitching.
An evidence !
There is rarely an emergency. However, there are small sparks of evidence in us … Feel well: if your crystal bowl has been missing you for too long: now is the time!
Give the world a touch of crystal-clear vibration. To play. Jubilant. Set free. Flourish in pure joy! What other answer could we bring to this world that so often pulls us down?
To your ships the Crystallins!
Sound Meditation - 7 chakra's Harmonization
ChL
•14 April 2020•1 MinuteSOUND MEDITATION
Cristal Vibrasons invites you to harmonize the 7 major chakras thanks to the frequency games of crystal bowls.
Each musical note has a correspondence with the frequency of the chakra’s.
Thus, the sounds will achieve a real re-tuning and a progressive harmonization from Mulhadhara (root chakra) to Sahasrara (crown chakra).
A meditation and a sound treatment that you can use whenever you feel the need …
See you soon, the Crystallines
The crystal harp or the Music of the spheres
ChL
•14 April 2020•4 MinutesYou can share the article as long as you keep it in its entirety, identify the source (Cristal Vibrasons) and the author (visible under the title). Thank you.
The crystal harp Or the melody of the spheres for a timeless moment! Indeed, it is a divinely marvelous instrument, whose sound is only equaled by the music of the spheres … The phrase seems poetic, yes! But it is also a Pythagorean theory.
What is the music of the spheres?
In ancient times, the harmony of the spheres or music of the Spheres was based on the harmonious digital relationships that were believed to govern the universe. In fact, several Greek schools had calculated the distances between the planets and matched intervals of music. This therefore created a probable cosmic partition …
Today, even if music has gone beyond ancient norms, we find it in other dimensions, starting from the vibrations of the stellar spheres. The resonant frequencies of the Sun and the stars, for example, are measured and recorded by highly technological instruments like Soho and the Gong network and satellites like Corot or Kepler.
The originality of the crystal harp:
It is an instrument composed of 8 tubes of natural quartz, of variable lengths defining a note on a diatonic scale (from a DO to a DO to the octave). Its sound is high, since it vibrates in octave 5.
However, the purity of its sound range makes each note light, airy or aquatic, and in any case, very pleasant. The great musical magic of the crystal harp is the multitude of harmonics displayed! But it will be very useful for you to be very attentive to these waves of harmonics. It is certainly magnificent, however if you make them overlap in too large a number, it will quickly be a sonic and vibrating shambles!
So, even if you don’t have to be a musician to play it, you will need to be attentive to your energetic languages. For those who listen, it is the assurance of a crystal clear cascade of unusual sensations! The person will quickly lose his usual space-time references to enter a new vibrational universe. And this is the starting point for starting a process of self-healing.
What minds induce the sounds of the crystal harp?
Feelings of buoyancy, lightness, fluidity or great flexibility are often translated by those who have had the grace to receive the sounds of the crystal harp! In addition, it brings joy. In fact, it awakens our inner child and brings soothing and sweetness to the soul. It is therefore an instrument for which we naturally understand evoking magic, the divine or universal onomatopoeias like wow! It has no equivalent. She is unique !
Where to find it?
The crystal harp is more and more noticed by all lovers of crystal clear sounds.
It is part of musical approaches as well as those of well-being or accompaniment for therapeutic purposes.
Cristal Vibrasons has tested many models and now has them created by its own manufacturer-designers. This allows him to offer you a qualitative, solid instrument, at a price studied at the lowest on the market! We have designed with our manufacturer a model without fishing line or adjustment wheel. Only tubes held by resistant medical elastic and above all leaving each tube independent of the other. Consequence: a harp without adjustment because the notes are definitely tuned!
NAMASTE the Crystallins!
Crystal bowls coloured by nanoparticles
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Crystal bowls colored by nanoparticles? You may have already dreamed of it: colored crystal bowls! In fact, there are different ways to color a quartz vessel. But do you know that today, technology allows the use of nanoparticles for this?
What are the advantages ?
Each coloring method, by surface treatment or in the mass, offers a spectrum of different colors. The result varies depending on the method, with effects like transparent iridescence or darker, mirror or frosted colors.
Each of these methods has advantages and disadvantages. The major advantage of crystal bowls colored by nanoparticles is the guarantee of a color that does not deteriorate with use or over time. In addition, we obtain a spectral response which seems to be in 3D. And the palette of shades is endless!
Let's try to understand better:
What does nano mean?
In the nano universe, we are on the scale of a billionth of a meter! As you can imagine, the nanometer (nm) is used to express dimensions on the atomic scale. From the dimensional point of view, the nanoparticles are located between the so-called macroscopic matter and the atomic or molecular scale. Their size is therefore much smaller than that of a human cell.
The nanometer is also used to express the wavelengths of electromagnetic radiation, and in particular of the visible spectrum, which is between 400 and 800 nm.
What is a nanoparticle?
A nanoparticle is (ISO TS / 27687 standard) a nano-object whose three dimensions are on the nanometric scale, that is to say a particle whose nominal diameter is less than 100 nm.
To obtain a crystal bowl colored by nanoparticles, we must therefore use baths which contain these very small colored particles. And they must be fixed homogeneously! So an art is combined with this high technology.
How are the crystal bowls colored?
The base of these bowls is clear and transparent. Then, the nanoparticles will color them in a quench, thanks to transition metal ions, here silver (Ag). The objective is to make it precipitate in aggregate, in order to obtain a clear coloration. It is an ion exchange method which relies on the substitution of a quartz ion by a silver ion.
Ion exchange staining with silver calls upon a great deal of knowledge in the field of nanomaterials. This therefore involves introducing silver ions into the quartz matrix, which we will then aggregate, to form metallic nanoparticles contained in this same quartz. Hybrid technology
This technology is complex and hybrid because it borrows from classical physics as well as from quantum theories. It also uses the crystal field theory, which describes the electronic structure of transition metal complexes.
A bit of history:
When we talk about nanotechnology, we think it’s contemporary. In fact, this is not entirely accurate in the area of coloring materials.
Historically, bright colors, obtained by dispersing metallic compounds in glass, have been empirically known for centuries: glasses colored in the mass by the inclusion of metallic powders have been used since antiquity for the manufacture of works of art. then, in the Middle Ages, for that of stained glass. For example, the stained glass windows of the cathedral of Chartres (cathedral of Gothic style built at the beginning of the 13th century), used this process which consists in either including gold, silver or copper in the paste of glass or color traditional soda-lime glasses. Today, soda-lime glasses constitute colored glass bottles, perfume bottles, glazing, etc.) by ion exchange thanks to silver metal. Formerly, we already obtained colors thanks to metals, but they were melted in the mass: ruby red is obtained thanks to particles of copper or gold yellow is obtained by silver
Everything is in the play of light
Today, we “play” on the scale of the infinitely small, at the heart of the foregrounds of materials. The richness of the colors of STELLAIRE crystal bowls from Cristal Vibrasons® is related to: introduction of metal ions (transition metals) degree of oxidation of metals.
How it works ?
To explain the phenomenon, let’s say that when the metal ions receive light, they absorb part of the energy transported by the light photons, causing an excitation of the electrons of their surface layers. These electrons then evolve from their state of fundamental energy, towards higher energy levels. Depending on the differences between the energy levels, the ion will absorb a certain frequency of the received light, then re-emit the complementary color. So as many energy differences as possible, as many colors as possible!
Inalienable colors:
If they are unalterable, it is the fact of their manufacture! Indeed, once the silver introduced into the matrix of the crystal bowl, the latter will undergo a treatment in a aqua regia bath (mixture of concentrated hydrochloric acid and concentrated nitric acid, to dissolve the so-called noble metals) . Then, the metal will be distributed homogeneously in the mixture during the next heating. This heating allows the silver atoms to still move slightly in the quartz. When they meet, they will cling to each other: this is the stage of crystal growth leading, little by little, to the formation of aggregates of several hundred, even a few thousand metallic atoms !
How do you get such precise color “mixes”?
In fact, the size of the metal aggregates will influence the color. Let’s take a closer look at their optical structures and properties.
Here, we no longer have an atomic absorption of light (absorption by metal atoms or metal ions), but a very particular optical absorption by whole aggregates.
This is based on two competing phenomena:
- it is metal, even on the infinitely small scale: therefore, it absorbs light by inter-bands (between the band called valence and the band called conduction). This generally occurs at fairly distant wavelengths, towards the ultraviolet (between 10 and 400 nanometers).
- these are very small aggregates: therefore, the number of atoms on the surface is important compared to the number of atoms inside. This has the consequence that the atoms on the surface form with their free electrons a kind of gas, capable of entering into resonance with any magnetic radiation, in this case light, and of producing what is called a “plasmon resonance” .
What is a plasmon?
A plasmon is an oscillation of quantified plasma. We also speak of plasma oscillation quantum. Thus, it is about a quasi-particle which results from the quantization of plasma frequency (just like the photon and the phonon are quantifications of vibrations respectively luminous and mechanical).
To put it simply, the electrons start to vibrate together, which allows them to absorb light at a very specific wavelength. This wavelength, associated with inter-band absorption, leads to the shades observed in the STELLAIRE collection of Cristal Vibrasons® or in the bowls of the custom-made online application, to create your own singing crystal bowl !
If the light is not decomposed, it is monochromatic: it corresponds to radiation.
If the light is broken down, it will be polychromatic.
Thus, the Stellar collection offers crystal bowls with one color and others with different colors. These magnificent colors are possible thanks to the collaboration of chemists and physicists. This alliance, which has made it possible to understand and master the structure of materials on a nanometric scale, has already revolutionized the glass industry, for example.
Today, this breakthrough breaks through to quartz quartz crucibles and transforms these manufacturers into an industry where high technology and craftsmanship is combined. Innovative and inspiring technology, at the service of creativity and people …
See you soon, the Crystallins
Nature your Attention to what IS
ChL
•14 April 2020•6 MinutesYou can share the article as long as you keep it in its entirety, identify the source (Cristal Vibrasons) and the author (visible under the title). Thank you.
Needless to say that cultivating attention to what is, since we are toddlers, is a bit like a warning.
A kind of injunction to concentration. Concentration on what we do or what happens in our immediate environment, under the threat of sanctions. In this context, it is not really an invitation to a spiritual exercise or a dance of the Consciousness!
Let the path of consciousness go free:
Yet, cultivating attention to what is one of the cornerstones of meditation. In fact, to turn attention to your inner temple, you just have to let the path go. Not that it is necessary to clear this path and to rid it of any obstacle which strews it … But rather to walk the path as it appears. Without any particular expectations, without any specific objective, as if the path were the goal in itself! Because, counter to what we learned toddler, cultivating attention does not require to make an effort of will to catch the attention on an object, whatever it is.
A Yin posture:
You don’t have to stretch yourself to cultivate attention. There is nothing to be successful. It is not a mechanical posture. It is a posture of opening and welcoming to the multitude of planes of subtle reality that we perceive and which are superimposed in our own field of consciousness. A more Yin than Yang posture. So it’s not a contraction, but a dilation of the mind and the heart. And the mind is not invited to the wedding.
Perception and feeling honored:
Sit down and shut up … Relax your gaze to calm the mind … At the heart of this silence, observe without attachment everything that arises. Not to pay attention to anything, but to follow the gentle movements of the breath … Little by little, the ego also enters into silence … Presence settles in and it perceives it: something is there, something something tranquil and much larger than him … The path is then made, free from any conflict, there is nothing to “take” and nothing to “abandon”. The temporality changes, past, present and future merge as if the question itself was dissolved. Our senses are refined. Our perceptions are alleviated, from the weight of the body as a force, to levels of subtle consciousness where neither words nor images have a real hold.
How to relax your gaze to contemplate what Is:
In this perspective of attention, the question of the gaze is essential. We have to agree to walk the path barefoot. Leave our old sandals that always lead us to known land: assess, measure, judge, classify…
To leave the shores of this relationship with the world and with yourself, here is a little concrete exercise to relax your gaze and open up to the unexpected:
- Sit in a comfortable, quiet place Close your eyes
- Rub your palms together until you feel heat
- Make the shape of a nest with your hands
- Put them on your closed eyelids (the light should not pass)
- When you perceive the heat diffusing on your eyes, open them gently
- Relax your gaze as if you could perceive everything effortlessly, without pointing your gaze at anything Contemplate what is happening in you at this moment; your mind stays out of the experience
- If you have a singing crystal bowl, then raise its vibrational spiral. Let the sounds work to amplify this reality of the moment
- Savor and Validate this perception internally
Attention is energy:
If cultivating attention is not only what we learned when we were little, what could it be?
Attention is a quality of energy. A quality of presence to what we experience in our daily life. A way of being touched by the movements of life by observing what is manifested, in oneself as well as outside oneself. Not that we are “cut off” from the world of our immediate and more or less conditioned feelings, but a little more detached, in the sense of equanimity. Acceptance of what is.
Pay attention to the world of our thoughts, that of our emotions or that of our usual behaviors. And observe with clarity the game that is woven between these 3 universes.
The simple fact of placing its attention on this pas de trois will deprive it of liveliness. Thought, for example, hates being watched! The quality of energy that you are will then change … And if you walk the path barefoot, you may well gain in love, gratitude, tolerance and acceptance … in the One consciousness, of what is. (click on the sentence)
NAMASTE the Crystals!
How does the crystal bowl in Energy Sonology work?
ChL
•14 April 2020•9 MinutesLa Sonologie énergétique
La sonologie… Voici une discipline qui n’a pas fini de nous étonner ! Pourtant, il existe bel et bien des pratiques alternatives et holistiques avec des bols de cristal : Les Sons d’un bol de cristal chantant s’invitent dans des domaines éclectiques de la vie humaine. Nous les retrouvons sur le fil de nos vies désaccordées, dans les établissements de Santé, ou encore au service des jeunes présentant des troubles de la sphère autistique …etc.
Singularités
La particularité énergétique de leurs Sons spiralés multidirectionnels, enveloppe l’intégralité du corps. Ils élèvent le taux vibratoire et éveillent à des états de l’être calme et centré. Point n’est besoin de « jouer » l’intensité à tout prix. Car la puissance et la finesse de leurs jeux vibratoires méritent une danse oscillant entre subtilité et légèreté. La voix peut s’y associer en syntonie avec aisance. Elle amplifie le jeu des harmoniques créées. La sonologie énergétique a dorénavant une de ses plus splendides manifestations, la CVP, une technique vocale thérapeutique.
Le son soigne :
Les bols de cristal harmonisent les états affectifs et détendent profondément le corps & l’esprit ! En effet, les bols sonores ont une longue tradition dans les pays orientaux (Tibet, Inde…). Ils relient le Son, la Spiritualité et la Médecine. Selon différentes spiritualités orientales le Son est à l’origine de la création. Ici, Son et Musique sont sacrés.
Le bol de cristal chantant permet au cerveau de passer rapidement en mode alpha. Lorsque les ondes cérébrales sont en mode alpha, le système nerveux « se détend ». Ceci permet de dissoudre les tensions et de renforcer le système immunitaire.
En effet, la Sonologie s’appuie sur les propriétés du son et sur le phénomène de résonance du corps. Précisons que les fréquences sonores des bols favorisent un état de relaxation profonde. Ils ralentissent la respiration et le rythme cardiaque ainsi que la pression artérielle. Ceci permet d’accéder à un profond « lâcher prise » tant physique que mental & psychique. Face aux rythmes effrénés de la vie moderne, ils sont devenus des instruments de qualité pour un bien-être essentiel à la santé. Le son soigne !
Objectifs de la sonologie
En sonologie ou Sonothérapie utilisant les bols de cristal, le constat est que l’on peut accompagner de manière efficiente toute séance à visée thérapeutique. Les objectifs sont divers comme apaiser le stress et l’anxiété. Ou encore certains troubles de la concentration et du sommeil. La Sonothérapie a également fait ses preuves en service d’éveil de coma, en psychiatrie et auprès d’adolescents peu accessibles à la relaxation classique ou à la sophrologie par exemple. Le simple fait d’apaiser un mental galopant, de se détendre en profondeur et d’entrer dans la spirale multidirectionnelle des Sons des bols de cristal permet de contacter en soi le plus intime de notre être.
Autoguérison ?
Ces Sons si singuliers mobilisent l’aptitude à l’auto guérison et libère les énergies créatrices. Chez les personnes réceptives, ils ouvrent à une sensation d’être relié à un « grand Tout », dans une perception atemporelle, qui facilite l’’harmonisation du corps, des émotions et des pensées tout en procurant un bien être global.
Les bols chantants utilisés en sonologie
Les bols chantants sont utilisés en sonologie, notamment auprès de personnes en perte d’autonomie :
Les instruments sonores utilisés en tant que médiateurs thérapeutiques, servent à inciter les personnes âgées à sortir de l’isolement. Un isolement délétère dans lequel elles sont parfois enfermées. En proposant aux résidents des activités avec ces Sons, les maisons de retraite créent des dynamiques de groupe et facilitent ainsi le lien social.
Curiosité
Par ailleurs, les bols de cristal incitent à la curiosité. En effet, leurs spirales sonores sont dynamiques. Sans compter que les impressions sensorielles qu’ils suscitent sont multiformes et émerveillent les personnes.
Emotions et Mémoire
Les émotions sont alors invitées à s’exprimer… Les projets qui incluent ce type de médiateurs sont centrés sur la personne et sur le groupe. Elles prennent en compte l’importance de l’objet médiateur. Mais aussi chaque ouverture sur la relation, la sensorialité ou encore la mémoire. En effet, lors de séance avec des bols de cristal, comme en Musicothérapie, tous les aspects sensoriels et émotionnels sont sollicités. Ces espaces suscitent le désir. Ils sont aussi source de plaisir.
Troubles cognitifs et sonologie
Pour les personnes vivant avec un trouble cognitif ou neurodégénératif, il est notable que les Sons ont des effets bénéfiques et durables. Biensur, sans pour autant stopper le processus pathologique. Hervé Platel est Professeur de neuropsychologie, Unité Inserm 1077, à l’Université de Caen. Il est l’un des premiers à avoir identifié les réseaux cérébraux impliqués dans la perception et la mémorisation des sons et de la musique. Notamment sur les patients atteints de la maladie d’Alzheimer : « La musique capte facilement notre attention : dès qu’il y a de la musique dans l’environnement, le cerveau se synchronise très naturellement. Les voies d’entrée de la musique dans le cerveau sont beaucoup plus complexes que celles de la parole, par exemple, et sollicitent différentes régions cérébrales : la musique stimule, relaxe, calme la douleur, mais a aussi la capacité d’augmenter la plasticité du cerveau et de provoquer les modifications au niveau des connections synaptiques. »
Troubles de la sphère affective et sonologie
Les bols de cristal chantants utilisés auprès des jeunes vivant avec un trouble autistique :
Certains praticiens en Sono-thérapie utilisent déjà les bols de cristal. Par exemple, auprès d’enfants ou d’adultes vivant avec ces troubles et ils constatent que la ” La pratique d’une séance par semaine a permis aux parents de constater la diminution de certains actes violents, de crises d’angoisse“.
La diminution du traitement comme le Risperdal® (neuroleptique de 2ème génération-antipsychotique) ou traitement pour le sommeil est possible dans certains cas. » (2 septembre 2015 -SON’HARMONIA)
Certaines études démontrent que la thérapie par les Sons et la musique pourrait aider les enfants atteints de troubles de la sphère autistique. Ceci en les aidant à améliorer certaines compétences. Par exemple, l’interaction sociale, la communication verbale et la réciprocité socio-émotionnelle.
Ces médiateurs thérapeutiques pourraient également aider à améliorer les compétences de communication non verbale dans le contexte thérapeutique. (Geretsegger M, Elefant C, Mössler KA, Gold C, Groupe de revue principal Developmental, Psychosocial and Learning Problems Group).
Une perspective encourageante ! Pour les thérapeutes comme pour les parents qui peuvent aussi vivre un lien facilité avec leur enfant.
Les grands passages
Il existe aujourd’hui des domaines de l’accompagnement où la sonologie par les bols de cristal chantants trouvent une place privilégiée :
Par exemple, dans l’accompagnement de grands passages de vie. mais aussi des parenthèses existentielles ou tout simplement des pratiques quotidiennes (méditation, relaxation, prières…etc). Le Dr Mitchell L. Gaynor les avaient, quant à lui, inclus dans le chemin clinique de ses patients vivant avec un cancer (Sons de guérison, édition de l’Aigle). D’ailleurs, les résultats qu’il avait obtenus étaient impressionnants.
Le Son, la voix, la musique sont de puissants vecteurs de bien-être. Ils peuvent être employés dans la restauration de l’équilibre du corps, des états affectifs et favoriser l’éveil de l’esprit. Pour aller plus loin, rendez-vous ICI : un article donnant des clés pour des soins avec un bol de cristal !
NAMASTE
Muriel Lacombe
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The origin of crystal singing bowls
ChL
•14 April 2020•7 MinutesYou can share the article as long as you keep it in its entirety, identify the source (Cristal Vibrasons) and the author (visible under the title). Thank you.
Where do the crystal singing bowls come from?
The crystal singing bowl is a wonderful sound and vibration instrument. Bowls are among the sacred instruments of our contemporary world.
Do they have the same origin as the Tibetan bowls?
To tell you the truth, not really! Designed in France, based on a SAINT-GOBAIN patent, the singing bowls of natural quartz crystal are produced using an industrial process. In no way are they cut directly in quartz! Indeed, the fracture lines within a rock crystal are too large to allow a crucible to be cut without it cracking. In fact, originally, the crystal bowl is a laboratory crucible used in particular because it has a high resistance to variations in pH – acids as basic – and that its melting temperature is very high. It therefore does not melt when heated.
How is the crystal singing bowl made?
To obtain an Immaculate vessel
that is to say frost-sand, 4 main steps will follow:
- First, the quartz or silicon dioxide is reduced to powder and then cleaned of its impurities.
- In a second step, the quartz powder is placed in an oven at very high temperature for its crystallization. The fluid material thus obtained is poured by centrifugation into a mold which will give it its final shape.
- In a third step, the bowl is treated with a gas which gives it its frosted appearance. In the fourth step, it will be cleaned in several water baths and then cooled by sandblasting.
- It will finally be slightly polished. The octave and the note of the bowl are correlated to its diameter, its height and the thickness of its wall.
To get a clear sensitive vessel
That is to say a transparent bowl. The cooling process is a little different. It is not treated with gas. On the other hand, it will be polished to give it its pure transparency, which will also define a musical note. To create a bowl in 24K gold, silver or platinum Here, we will first need to make a clear-sensitive. Then we will come fix the noble metals by electrolysis, on several layers if necessary.
To create a Titanium crystal bowl
Here, we will also have to create a clear-sensitive. It will be blown with cooling by Titanium gas. It is this gas which gives it its beautiful colored iridescence and its “mirror” effect. So there is only one solid material here, quartz, plus a gas.
To create a bowl of colored crystal like “Stellar”
Read the article on staining by nanoparticles
Engraved crystal singing bowls
We rely on the physical principle that quartz is memory. The crystal bowls can therefore be informed by a wave of form engraved in the material. This is the case when laser engraving them with a symbol or significant shape. You can see this for the vessels of the Buddhist range, the Cosmic-Consciousness, the Egyptians yes still the alchemist, the Divine Couple, the Chalices of the 7 sacred Flames…
The creations and engravings Cristal vibraSons are our inspiration. However, they are universal enough that your quartz vessel is not programmed by our personal energies. This is essential in our approach and our ethics.
For colored crystal bowls
You will find in the trade of the bowls sold with gems. Be very careful because this is a slight twist of reality: Take for example, the amethyst (but this would be valid for all the other gems). It is not the basis of the purple color of the bowls! Even if it is advertised and sold to you this way. It is only an assumed name to designate bowls which draw on purple, even if the gem is integrated with quartz in a small proportion (3 to 5%).
In fact, for these bowls called amethyst, the color is due to a disturbance of the crystal lattice by a weakly radioactive environment. This means that when you heat an amethyst for example, its color changes to a kind of yellow. What happens in fact is that at high temperature, its crystal structure changes to give a citrine, then if it is heated again, the color disappears completely! In this case, the bowls are actually recoloured by chromatophoric elements. That is to say, which gives them a color due to their electronic structure.
Where to find these singing crystal bowls?
In the online store www.cristalvibrasons.com you will only find singing bowls of natural quartz crystal (not synthetic quartz).
Some bowls are said to be exceptional because their vibrational patterns make them real jewels. These are associated with noble metals (24K Gold, Silver, Platinum), or Titanium gas which give them iridescent colors. Concerning the other colors, heated coatings allow them to radiate the desired frequency of light.
In any case, each bowl is completely unique in the play of its spirals, both in its fundamental note and in its struck note. Some vessels give off very powerful sound frequencies and other bowls dance to frequencies of incredible subtlety … And there is not one “better” than the other.
See you soon the Crystallins,
The correspondence between the notes and colours
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Colorful music
“The correspondences between sounds and colors have been the subject of various attempts over the centuries. Science and art come together”
Bernard Valeur
In search of correspondences between sounds and colors, the story has been enriched by attempts to link between sound frequencies and frequencies of light. And the first tests are not current, they date from Antiquity. Let’s find out how we got to making singing bowls.
From Greek Antiquity to the 17th century:
Aristotle (-384 / -322), Greek philosopher of antiquity, already noticed that if there were melodious or dissonant sounds, there were also pleasant or unpleasant colors. So, he thought, the harmony of colors is governed by relationships between numbers, like those of musical harmony! Relations that Pythagoras had already studied using ropes. Thus, the classification of Aristotle will last until the 17th century. However, several reading grids on color harmony and musical harmony were proposed, such as, for example, that of Marin Cureau de la Chambre (1594-1669), French philosopher, counselor and doctor of Louis XIV.
The Enlightenment
However, it was not until the beginning of the 18th century with Isaac Newton to bring more science into the understanding of colors. Because he demonstrated that white light is made up of different rays that appear colored to us and that we can combine to reconstitute white light. Newton (1643 – 1727) tried to draw an analogy between the colors and the seven notes of the diatonic scale: do, re, mi, fa, sol, la, si. He was convinced that there should be a perfect match between the various colors and the notes of the scale notes and colors.
In fact, he based this analogy on the widths of the colored bands produced by the decomposition of the white light of the Sun by a prism. Then, he matched them with the length of the vibrating strings, capable of emitting the notes of the diatonic scale.
In addition, Voltaire (1694 – 1778), 18th century French philosopher and writer, wrote in Newton’s Elements of Philosophy (1738): “This secret analogy between light and sound gives rise to the suspicion that all things in nature have hidden relationships that maybe we will discover some day” Newton was far from being the only one who wanted to match the colors and notes of the range.
Impossible mission
In reality, however, it is impossible to isolate in the rainbow bands corresponding to a given color with precise borders. So why did this illustrious scientist venture to this hypothesis?
In fact, at the end of his life, his desire to be in harmony with the coherence of creation and the harmony of the world prevailed over scientific rigor. This is especially true for the indigo color. What you need to know is that he introduced it into his color list so that it had seven (7 is a so-called sacred number and Newton was very attached to it). So, if you have been taught that the rainbow has 7 colors (purple, indigo, blue, green, yellow, orange, red) it’s that Newton has been there!
In the 19th century
If we go back in time, we meet a 19th century occultist, master Philippe of the city of Lyon. He argued: “Sounds, like light, are made up of colors that have a great influence on the body. Do (red): it excites the brain and acts on the stomach and intestines. Re (orange): it acts on the stomach, abdomen, intestines … Mi (yellow): action on the heart, spleen. Fa (green): it contracts the diaphragm. Soil (blue): it acts mainly on the upper part of the organs and on the arms. The (indigo): gives tremors (heart and cardiac region). If (purple): it acts directly on the heart itself.” But, if we are careful here, we see the notes and colors of the 7 major chakras of the Vedic tradition appear. In India: the do is linked to muladhara chakra, the re is linked to svadhishthana chakra, the mi is linked to manipura chakra, the fa is linked to anahata chakra, the soil is linked to vishuddha chakra, the la to bindu chakra (ajna ) and the if is linked to Sahasrara chakra
Is it credible to establish a correspondence between sounds and colors?
From the point of view of wave frequencies, no bridge can be made between sounds and colors.
There are no links between the frequencies of sounds audible to the human ear and the light waves visible to the human eye.
There is also no analog wavelength for sounds and for light.
Can we pass from one frequency domain to another by an octave interval (= doubling the frequency)? No ! The frequency range of visible light extends over about an octave while the sound frequencies cover more than 10 octaves! So … how do you get the case?
Colors don’t really exist
Indeed, from the point of view of the physiology of perception, color does not exist in itself: it is a construction of our brain. Because, at a given wavelength of light, our brain associates a color, but the reverse is not true: the impression of yellow can result as well from a monochromatic light as from a mixture of green lights and red. So there is no relationship between color and wavelength (or frequency). On the other hand, our ear can distinguish a pure sound (a single frequency) from a complex sound (several frequencies), and recognize several notes in a chord! For all these reasons, sound-color matching is impossible on rational grounds. And yet … some people have a colorful sensation when hearing sounds: it is synopsia or synesthesia. It gets complicated!
From the 20th century to the present day
If nothing rational allows us to assert these correlations, let’s approach the world of subjectivity, art and creativity! Among the composers who have sought to establish connections between music and colors, we must mainly cite three:
Alexandre Scriabine (1872-1915), pianist and a Russian composer
Arnold Schoenberg (1874-1951), Austrian composer, painter and theorist
Olivier Messiaen (1908-1992), French organist, pianist and composer
3 musicians to remember for their work
Alexandre Scriabine was a singular personality and misunderstood by critics and the Russian public. This mystic of ecstasy leaves a deeply original work. In reality, he had synesthesia. Thus, this ability allowed him to associate a color with each note.
On the score of his symphonic poem Prométhée, he indicated the colors that were to be projected at the same time as his music. In fact, in 1915 at Carnegie Hall, a color keyboard, called Chromola (specially made for the occasion by Bell laboratories) allowed colors to be projected on a screen. For each key, a color! What a wonderful attempt to illustrate his own perceptions!
Arnold Schoenberg, meanwhile, was an Austrian composer, painter and theorist. In his opera The Happy Hand, he also planned colorful projections accompanying the representation of this work.
Closest to us, Olivier Messiaen is certainly the musician who has deepened the relationship between sound and color in music. It was mentally that he had the ability to see colors when he heard music or when he read a score. However, it was not synesthetic. For him, “Music is a perpetual dialogue between space and time, between sound and color, a dialogue which leads to a unification: time is a space, sound is a color, space is a complex over time, sound complexes exist simultaneously like color complexes”.
Contemporary experiences
Nowadays, we can meet healthcare and sound professionals. Fabien Maman is one of them, with his school of Tama-Do, his research and his works (Le Tao du Son published by Trédaniel).
He did not write directly on the links between music and colors. On the other hand, it offers an interesting approach to the chakras and their sound correspondences. In particular the cycle of fifths for the chakras or even realignment sound series where it evokes specific colors.
As many “light” seekers as possible readings in the note / color correspondence.
Traditions also have their approach to truth in the field. However, the spectrum of our perceptions is always limited to the only possibilities of our sensory functions. So who can claim to know the real of the living?
NAMASTE the Cristallins
The crystal bowl more powerful than the Tibetan bowl
ChL
•14 April 2020•10 MinutesYou can share the article as long as you keep it in its entirety, identify the source (Cristal Vibrasons) and the author (visible under the title). Thank you.
The vibratory play of the crystal bowl is more powerful than that of the Tibetan bowl! Let’s be clear, this is not a question of “force”, but rather of the energetic power deployed, that is to say of the subtle complexity of the vibratory language of the singing bowl.
What is power?
In physics, power reflects the speed at which a job is delivered. In other words, the power reflects both the notion of material change in the universe and the time it takes to make that change. This may interest us!
The sound – or vibration – emanating from a crystal singing bowl, instantly generates a transforming wave. All the experiences with crystal bowls corroborate this fact. It is a pure energy, which dissolves our limiting emotions like fears for example. It facilitates access to our inner calm, to the joy of being and gives a boost of vitality! Crystal energy is real healing energy. It transforms and liberates.
And its power is inherent in the speed with which our inner state changes durably!
The original context of the Tibetan bowl
The so-called Tibetan bowls arose in the Bronze Age. Bronze being the alloy of copper and tin. And this Bronze Age, we remember, is a period of protohistory! At that time, these were the premises of metallurgy! And it will have consequences both at the level of the social organization of human civilizations, and at the level of their economic development at an age when barter was in order. The perfect mastery of the art of fire, acquired with ceramics, provides civilizations with the know-how necessary for metallurgical techniques. Now familiar with the properties of bronze, people will use the resistance of the alloy to create various weapons, tools and everyday objects in order to counter the fragility of pottery and wooden accessories. And the so-called Tibetan bowl is, above all sacred, a bowl which therefore serves as a container for eating.
The sounds of the Tibetan bowl
These metal bowls appeared in human civilizations several millennia ago. Originally, according to legend, it was nomadic blacksmiths followers of Shamanism who introduced them to Tibet. They were mainly used by Buddhist communities who knew empirically that the sounds from these bowls had powerful healing properties. This is how shamans, both yesterday and today, include them in a sacred dimension with therapeutic properties.
These sounds are deeply soothing.
Their resonance is very close to the physical plane and it meets us in a horizontal vibratory movement, which can therefore expand our subtle bodies. In addition, the harmonics released can be very rich to harmonize our dissonant interior states.
Metal is intrinsically an energy conductor. In fact, we are in resonance with this universe due to certain trace elements that make up us. For example zinc, copper, iron, nickel, chromium… etc. The law of resonance, which is a fundamental principle of energy, is explained by physicists when two waves, vibrating on the same frequency, attract each other.
But what about the myth of the 7 metals? Imagine: silver, iron, mercury, tin, copper, lead and gold! Besides the symbolic correspondence with the planets and their specific energy, were Tibetan bowls for one day to be made in the Bronze Age? The question remains open even for specialists in these wonderful tools.
In any case, we can legitimately think that if we are still in resonance with these frequencies, new vibrational frames are active today.
These frames are, in fact, fields of consciousness.
The current context
As Dr. Luc Bodin, a cancer doctor, tells us, “the arrival of new vibrations has been reaching Earth for several years! They allow human beings to develop new capacities of perception and understanding. However, like any transition period, we will have to replace the old structures with new ones… ”
On the other hand, our Earth is increasing its vibrational level. This is Schumann’s resonance. This means that a change in vibration is currently taking place on Earth. However, this increase in terrestrial frequency is taking place gradually, which allows everyone to adapt to it. It impacts, of course, the different kingdoms, animal, mineral and vegetable.
Another noticeable element of the current change in the frequency of the Earth is the acceleration of the perception of time. This impression is amplified by the fact that we multiply different activities and that we receive a huge number of information every day to process. These different phenomena combined make time seem to waver at the speed of light!
The singing crystal bowls
We have entered the quartz era just like the Tibetan bowl was born in the Bronze Age … The industrial revolution was made from coal, that of trade from oil. The technological revolution was born from the use of quartz. It is therefore a major mineral in our contemporary civilizations.
Quartz is an inorganic substance made up of oxygen and silicon. It is therefore not part of the Carbon line! Quartz is semiconductor and memory. It vibrates at frequencies ranging from ten kilohertz to a few tens of megahertz. It is also used as a frequency standard in many electronic applications!
And, of course, we are in resonance with this mineral because we have it! A 70 kg human has about 8 g of silicon in his body. We find it in the aorta, skin, thymus and bones. Silicon also participates in the functioning of the immune system. It is also found to be closely associated with DNA. In addition, silicon would have an action on the level of the epiphysis or pineal gland. Physiologically, this gland secretes melatonin. It therefore plays a central role in regulating biological sleep / wake rhythms and seasonal rhythms. The pineal gland has a membrane that captures images, like that of the retina! In addition, it is the most magnetic part of the human body and it is filled with water, excellent conductor of sounds! We can guess the scope of the vibrational resonance of crystal bowls on the living …
The sounds of the crystal bowl
The vibratory level of the singing bowl is very high, due to the natural quartz that composes it. Its frequencies are used to activate what is called our crystalline body, one of our bodies of light, crucible of the crystalline identity of being.
Their resonance is multidimensional. Their energy movement is spiral, like DNA, and unfolds in all directions. They refocus, align and expand all at the same time. They have an impact, as much on the physical and neurophysiological level in particular, as on the mental, emotional, psychic and spiritual level. The power of the crystal bowl is quite surprising because it is instantaneous!
And as a vibrational being in essence, we spontaneously know how to interact with the language of crystal bowls.
The thought becomes clear, the emotions calm down, the mind recovers a space of freedom because we are instantly entering a space-time different from our waking state! This change of state of consciousness is a facilitator to integrate all the vibrational and energetic changes of today. It also facilitates the initiation of self-healing processes!
The crystal bowl is the sacred instrument of our contemporary civilization, for all those who walk the path of the tradition of sounds and the one that we still have to invent …
NAMASTE the Crystallins